Post by Morreion on Jul 26, 2010 9:42:09 GMT -5
The Virtual Whirl: Ill-repute (Massively)
Excellent article- video game criticism as a hidden cultural critique
Virtual environments have a generally poor reputation in many quarters, particularly in the mass-media. Much of that reputation is ill-deserved, and some of it is entirely fabricated (eg: by the mass-media).I have to ask, what's the big deal?
Sex is a large part of Second Life's economy, because sex is a large part of every economy. Second Life has a reputation for prurient activities because the toolset is an effective one. It allows users to create many things that interest them, and almost everyone on the planet is interested in sex.
Certainly a lot of journalists seem to be, since that seems to be the first thing they go looking for when they arrive in a virtual environment, many of them have written. Certainly any big mass-media story about sex causes a literal stampede of new users signing up, and then fumbling their way through hollow pick-up lines like ladies night at most any bar or club you care to name (or like a print journalist writing a column on Second Life, if you prefer).
Another area where virtual environments are criticized is their intangibility. That people pay for outfits, houses and expensive sparkle ponies that serve little in the way of practical purposes and have no tangible existence.
Leaving aside (for the moment) your entire digital music collection, I have to ask: So what?
Sex is a large part of Second Life's economy, because sex is a large part of every economy. Second Life has a reputation for prurient activities because the toolset is an effective one. It allows users to create many things that interest them, and almost everyone on the planet is interested in sex.
Certainly a lot of journalists seem to be, since that seems to be the first thing they go looking for when they arrive in a virtual environment, many of them have written. Certainly any big mass-media story about sex causes a literal stampede of new users signing up, and then fumbling their way through hollow pick-up lines like ladies night at most any bar or club you care to name (or like a print journalist writing a column on Second Life, if you prefer).
Another area where virtual environments are criticized is their intangibility. That people pay for outfits, houses and expensive sparkle ponies that serve little in the way of practical purposes and have no tangible existence.
Leaving aside (for the moment) your entire digital music collection, I have to ask: So what?
Let's not get started on the hundreds of US dollars you spent on that frock and shoes that you'll likely only wear once and is, essentially, entirely for show. You got some fashion for your avatar? How much did that set you back? Less than a dollar? And it'll never wear out.
Unless your position is that the massive economic focus on superficial appearances (and on sex) that is a dominating factor in our offline activities is weird and peculiar, then there's nothing weird or peculiar about doing the same online at an insignificant fraction of the cost.
Unless your position is that the massive economic focus on superficial appearances (and on sex) that is a dominating factor in our offline activities is weird and peculiar, then there's nothing weird or peculiar about doing the same online at an insignificant fraction of the cost.
Maybe what makes many of us feel uncomfortable about virtual environments is that – in replicating the activities we perform offline – they tend to highlight the superficiality of many aspects of our daily lives whose importance and depth we normally take for-granted and leave unexamined.
Excellent article- video game criticism as a hidden cultural critique
